division of artmedieval manuscript

Janet Snyder
Associate Professor

Publications

(In preparation) "The Appearance of Early Gothic Sculpture: Limestone column-figuresin France 1135–1165," book manuscript and hotographs to be submitted for publication, August 2006.

"A good head for business:  Evidence for standardization in medieval stone sculpture," Visual Resources: An International Journal of Documentation XX/2-3 (2004).  SPECIAL ISSUE: Copying in Medieval Art, Guest editors, Sarah Blick, Rita Tekippe, and Vibeke Olson.

"Costumes in the Portfolio of Villard de Honnecourt," Villard's Legacy: Studies in medieval technology, science and art in memory of Jean Gimpel, ed. Marie-Thérèse Zenner. Aldershot, England: Ashgate Publishing, Ltd., 2004. 71-92.

“Cloth from the Promised Land, Appropriated Islamic Tiraz in Twelfth-century French Sculpture,” Medieval Fabrications, Dress Textiles, Cloth Work, and Other Cultural Imaginings, ed. E. Jane Burns. New York: Palgrave Macmillan, 2004. 147-164.

BLANCHE LAZZELL: the life and work of  an American Modernist, co-editor with Robert Bridges and Kristina Olson. Morgantown, WV: West Virginia University Press, 2004.

" ’Bring me a soldier's garb and a good horse’: Embedded stage directions in the dramas of Hrotsvit of Gandersheim," Hrotsvit of Gandersheim: Contexts, Identities, Affinities, and Performances. Eds. Phyllis R. Brown, Linda A. McMillin, and Katharina M. Wilson. Toronto: The University of Toronto Press, 2004. 235-250.

“Dress: Courtly, France, (12th century).” Women in the Middle Ages:  An Encyclopedia.  eds. Nadia Margolis and Katharina M. Wilson. Westport CT: Greenwood Publishing Group, Inc., 2005: 267-274.

Book review: “Francis Grew and Margrethe de Neergaard, Shoes and Pattens, Rochester, NY: Boydell Press, 2001 and Geoff Egan and Frances Pritchard, Dress Accessories, c. 1150-c. 1450 Woodbridge, Suffolk, UK; Rochester, NY: Boydell Press, 2002,”Speculum 78:4 (October 2003): 1301-1303.

“Written in Stone:  The Impact of the Properites of Quarried Stone on the Design of Medieval Sculpture,” AVISTA Forum Journal, (Winter 2002-03): 1-7.

Encountering Medieval Dress and Textiles: Objects, Texts, and Images, Co-editor with Désirée Koslin, New York: Palgrave / Macmillan, 2002.

 “From Content to Form: Court Clothing In Mid-Twelfth-Century Northern French Sculpture” in Encountering Medieval Dress and Textiles: Objects, Texts, and Images. Ed.s Désirée Koslin and Janet Snyder, New York: Palgrave / Macmillan, 2002.

“The Regal Significance of the Dalmatic: the robes of le sacre represented in sculpture of northern mid-twelfth-century France." Robes and Honor, The Medieval World of Investiture, ed. Stuart Gordon (New York: Palgrave / St. Martin's Press, 2001,) 291-304.

 “Knights and Ladies at the Door: Fictive Clothing in Mid-Twelfth-Century Sculpture,” AVISTA Forum Journal, Association Villard de Honnecourt for the Interdisciplinary Study of Medieval Technology, Science, and Art (Winter, 1996), 10-14.

“Medieval Art:  Representations By / Of Women — Words, Images and Patronage,”Approaches to Teaching Medieval Women, eds. Katharina M. Wilson and Glenda McLeod, MLA (in press).